Bach Bibliography Search Result

Author : Golomb, Uri
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Sellars Staging.				Jan 2004
	2.	Text, music and performative interpretation in Bach's cantata Ich habe genug.				Mar 2001
	3.	Two Easter St. Matthew Passions (Plus One).				May 2002
	4.	Rhetoric in the Performance of Baroque Music.				Apr 2008
	5.	András Schiff/Philharmonia Orchestra: Johann Sebastian Bach, 2000.				Oct 2000
	6.	The St. John Passion on stage.				Apr 2000
	7.	Intensity, Complexity and Musical Rhetoric in Performances of the B-minor Mass.	[cr]Belfast2007	1		2007	258-277
	8.	Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record.	diss.			2004	xv, 432p
	9.	Ton Koopman.	Goldberg		24	Sep 2003	42-51
	10.	El arte de la fuga de Johann Sebastián Bach / Johann Sebastian Bach's The Art of Fugue.	Goldberg		38	Feb 2006	64-73
	11.	El drama litúrgico en la 'Pasión según San Mateo' de Bach / Liturgical drama in Bach's St. Matthew Passion.	Goldberg		39	Apr 2006	48-59
	12.	Los Oratorios de Bach / Bach's Oratorio.	Goldberg		48	Oct 2007	58-71
	13.	Understanding Bach's B-minor Mass: A Participant's Report / Comprender la Misa en Si menor de Bach: informe de un participante.	Goldberg		49	Jan 2008	16
	14.	[Joshua Rifkin: Interview]	Goldberg		51	Jun 2008	56-57
	15.	Keys to the Performance of Baroque Music.	Goldberg		51	Apr 2008	56-67
	16.	Las cuatro 'Misas' de Bach / Bach's four Missae.	Goldberg		54	Oct 2008	46-59
	17.	Rhetoric and Gesture in Performances of the 'First Kyrie' from Bach's Mass in B Minor (BWV 232).	JMMeaning	3		Fall-Winter 2004-05
	18.	Analysis, creativity, and musical rhetoric in performances of the duet Et in unum from Bach's B-minor Mass, BWV 232.	MinAd	11	2	2013	22-40
	19.	Doubting the Resurrection? Questions and dilemmas in performances of the first Et expecto from Bach's Mass in B minor.	MPerformResearch	8		2017	55-79
	20.	Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass.	OrbisMusicae	14		2007	77-116
	21.	Style, expression and performance in the second Kyrie of Bach's B minor Mass.	[p]BCB_Dublin			Jul 2000
	22.	The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance.	[p]BICB_Belfast			Jul 2010
	23.	The Passion Animated, Ritualised and Monumentalised: Expressive Engagement and Emotional Distance in Productions of Bach's Matthäus-Passion.	[p]BICB_Salzburg			Jul 2014
	24.	Hierarchies and continuities in televised productions of Bach's Passions.	[p]SMA_Glasgow			Apr 2009
	25.	Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass.	[p]SocMAnalysis_Manchester			Feb 2005